Alongside news-reports following the progress of negotiations
at COP21 in Paris this week, the importance of ‘what happens in the crowded and
sweaty streets’ has featured heavily (Mott,
2015).
I’m sure you’re aware of the “Brandalism” project that occurred
in Paris? Well if not, Paris was decorated with 600 posters mocking companies
who have – seemingly overnight – turned from climate change nightmares to
solution champions.
![]() |
| Figure 1) Examples of the 600 pieces of satirical artwork decorating Paris (Jobson, 2015) |
In attempt to ‘challenge the corporate takeover of the
Paris climate talks’, artists have unveiled the “greenwashing” effect of
companies who have used their links to COP21 ‘as a form of marketing’; hiding
their true colours and contribution to the state of the world’s climate from
the public eye (Jobson,
2015)(Griffin,
2015).
Not anymore.
Writing for the Independent, Griffin
(2015) states that through the power of satirical imagery in public space,
the artists have ‘call[ed] out their lies and spok[en] truth to power’.
Although I can – as I’m sure
you can too – identify with the concerns of these artists and empathise with
their clear opinions, I must criticise this action.
What good is negative
imagery going to do?
We’re meant to be encouraging public
imagination for a sustainable planet. Yes, there are various companies that
have contributed significantly to the present condition of the climate, however
surely their support and inclusion in talks can only be a step towards a
greener future?
Having said that, I think that
public activism and inclusion in COP21 is paramount and agree 100% that
international climate talks are most definitely a domestic dilemma.
‘We cannot
leave the climate talks in the hands of politicians and corporate lobbyists who
created this mess in the first place’
Criticising COP21 talks and
predicting their ineffectiveness, Mott
(2015) highlights how public voices ‘have been squashed’ after the French
government ‘banned public protests, marches, and rallies’ following Paris’ terror
attacks. The public are reclaiming space through artwork and leaving 10,000 empty
shoes in the space the climate march would have been, as a way of reminding the
state that it is within the public realm that ‘new forms of democracy,
organization, and inclusion are
enacted, that new ideas are tested and voiced, and risks are taken’.
![]() |
| Figure 2) 10,000 empty shoes left in the space the climate march would have taken place |
I
urge the state to acknowledge just how powerful the people can be, how valuable
our opinions are, and recognise that we have the ultimate power to enact change
on an international scale.
When
dealing with a global dilemma such as climate change, public inclusion must be
fought for. After all, it’s us that climate change effects, and us that will
ultimately “foot the bill”.




















